Also see my SoundCloud page
To purchase scores and performance materials, visit Babel Scores or get in touch with me: oboneh@gmail.com
Forum des Compositeurs (Belgium)
IRCAM Brahms
To purchase scores and performance materials, visit Babel Scores or get in touch with me: oboneh@gmail.com
Forum des Compositeurs (Belgium)
IRCAM Brahms
FEATURED WORKS
To purchase scores and performance materials, visit Babel Scores
Also see my SoundCloud page
Her Majesty the Fool (2020) for XAMP microtonal accordion and electronics, 11'
for Fanny Vicens and IRCAM
For the score
To purchase scores and performance materials, visit Babel Scores
Also see my SoundCloud page
Her Majesty the Fool (2020) for XAMP microtonal accordion and electronics, 11'
for Fanny Vicens and IRCAM
For the score
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Please Find Attached (2021) video, 7'
for NYNME
for NYNME
Lug (2017) for flute, saxophone, percussion, piano, violin, viola and cello, 14'
for Vertixe Sonora for performance at the Galician Centre of Contemporary Art
For the Score
for Vertixe Sonora for performance at the Galician Centre of Contemporary Art
For the Score
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Sprout (2021) for solo 21-string zheng, dizi, sheng, percussion, pipa, piano, violin, cello, 15'
for Jing-Mu Kuo and C-Camerata Taipei
for Jing-Mu Kuo and C-Camerata Taipei
Unseen Beneath the Ice (2018) for 15 musicians, 8:30
for Alan Pierson and Alarm Will Sound
For the Score
for Alan Pierson and Alarm Will Sound
For the Score
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Municipal Shuffle (2022) for clarinet and 8 musicians, 19'
for Richard Haynes and Ensemble Proton Bern
for Richard Haynes and Ensemble Proton Bern
Winter Walks That Gravel My Voice (2016) for viola and 14 musicians, 15'
for Julie Michael, Guillaume Bourgogne and the McGill Contemporary Music Ensemble
For the Score
for Julie Michael, Guillaume Bourgogne and the McGill Contemporary Music Ensemble
For the Score
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Rut (2018) for piccolo, lupophone, bass clarinet, contraforte, piano, percussion, violin, cello, 5'
for Ensemble Proton Bern
For the Score
for Ensemble Proton Bern
For the Score
To form a more perfect human (2017) for concealed trumpet and percussion, violin, cello, double bass, piano and clarinet, 16'
for David Milnes and the Eco Ensemble and Kornel Thomas and the Nebula Ensemble
https://www.babelscores.com/catalogs/instrumental/chamber-ensemble/3708-to-form-a-more-perfect-human3708
for David Milnes and the Eco Ensemble and Kornel Thomas and the Nebula Ensemble
https://www.babelscores.com/catalogs/instrumental/chamber-ensemble/3708-to-form-a-more-perfect-human3708
Dengue (2012) – for 7 players and electronics, 12'
for the Modern Hue Ensemble
https://www.babelscores.com/catalogs/instrumental/3701-dengue3701
for the Modern Hue Ensemble
https://www.babelscores.com/catalogs/instrumental/3701-dengue3701
LIST OF WORKS
To purchase scores and performance materials, visit Babel Scores
Also see my SoundCloud page
Chamber
Municipal Shuffle (2022) for solo clarinet, flute, oboe, contraforte bassoon, piano, harp, violin, cello 16'
for Richard Haynes (clarinet) and Ensemble Proton Bern
Masha (the mouse) (2022) for soprano saxophone and oboe 8'
for Luis Homedes Lopez and Vicente Moronta
Sprout (2021) for solo guzheng, dizi, sheng, percussion, pipa, piano, violin, cello 15'
for C-Camerata Taipei
Five Fantasies (2019) for baritone voice, trumpet, trombone, and bass clarinet, 15'
for Loadbang
Churn (2019) for bass flute, lupophone, contraforte and harp, 4'
for Ensemble Proton Bern
Ritorno di Lontano (2019) for soprano, baritone and septet, 11'
for the Divertimento Ensemble
Shrink (2018) for string quartet and electronics, 11'
for Quatuor Tana
Rut (2018) for piccolo, lupophone, bass clarinet, contraforte, piano, percussion, violin, cello, 5'
for Ensemble Proton Bern
Lug (2017) for flute, saxophone, percussion, piano, violin, viola and cello, 14'
for Vertixe Sonora for performance at the Galician Centre of Contemporary Art
To form a more perfect human (2017) for concealed trumpet and percussion, violin, cello, double bass, piano and clarinet, 16'
for David Milnes and the Eco Ensemble and Kornel Thomas and the Nebula Ensemble
L'attente du visage II, second version (2016) for flute, oboe, clarinet, accordion, violin and violoncello 8'
for Ensemble Divertimento, premiere at the International Workshop for Young Composers
L'attente du visage (2016) for tenor saxophone, accordion and violoncello 4'
for Ensemble Regards, premiere at Festival Mixtur
Des baleines vues de l'intérieur et de l'extérieur (2015) for woodwind quintet 12'
for Ensemble Pentaèdre, commissioned by Code d'Accès
Hommage à Nick Weolam (2015) for percussion quartet 14'
for the Architek Percussion Quartet and their 2015 Code d'Accès concert
Marquee (2015) for flute, clarinet, violin, cello, piano and percussion 4'
for the 2015 Sound of Silent Film Festival - composed to accompany Brian Zahm's film, "Marquee"
Des rêves en quinconce (2014) for 2 alto saxophones, piano, 4'
for 2014 Labo de Musique Contemporaine de Montréal
À force de crier au loup... (2014) for flute, clarinet, violin, cello, piano, and percussion 8'
for workshop and recording with Ensemble Transmission (Montreal)
Tafkid Kaful (2014) for flute, clarinet, violin, cello, and piano 6'
for Contemporary Encounters 2 Festival with Ensemble Meitar (Israel)
Tsmarmoret (2013) for bass clarinet, violin, viola, cello, piano and percussion, 13'
for 2013 MASC Concert, Parenthèse(s) - McGill University
Dengue (2012) for 7 players and electronics, 12'
for the Modern Hue Ensemble
Ennui (2012) for piano quintet, fixed media and video, 25'
Funded by the University of Denver Undergraduate Research Center
Five Miniatures for String Quartet (2012), 6'
for performance at the California Summer Music Festival - Sonoma, CA
Einheit (2012) for two accordions, 14'
(for the Mythos Duo in Copenhagen - Bjarke Mogensen and Rasmus Skjøller)
Litz Wire (2012) for trumpet and percussion, 8'
Lisztian Clouds (2011) for piano trio, 10’
Large Ensemble
Unseen Beneath the Ice (2018) for 15 musicians 8:30
for Alan Pierson and Alarm Will Sound
Winter Walks That Gravel My Voice (2016) for viola and 14 musicians 15'
for Julie Michael, Guillaume Bourgogne and the McGill Contemporary Music Ensemble
Doors That Lead to Doors (2015) for wind ensemble 14'
Commissioned by the McGill Wind Symphony
Irpul (2012) for orchestra, 13'
Performed by the Lamont Symphony Orchestra - May 1, 2012
Solo/Solo with Piano
Dysprosody (2012) for solo piano, 8’
commissioned by Wes Leffingwell
A Danish Elegy (2011) for tuba and piano, 6’
commissioned by Jon Speek
Just in Time (2011) for solo marimba, 8’
commissioned by Justin Doute
4 Singularities for Trumpet (2010), 5’
Involving Electronics
Please Find Attached (2021) video, 7'
for the New York New Music Ensemble, as part of the Socially Distant Micro Commissions
Her Majesty the Fool (2020) for XAMP microtonal accordion and electronics, 11'
for Fanny Vicens and Festival Manifeste IRCAM
Shrink (2018) for string quartet and electronics, 11'
for Quatuor Tana
Behind the Forget-me-nots (2016) - prepared trombone and electronics
for Chris Paul
Fighting (2015) - clarinet and electronics, 10'
for Celeste Case-Ruchala
Klaustrophobie (2013) – accordion and fixed media, 10’
for Rasmus Schjærff Kjøller
Eclipse (2013) – trumpet and fixed media, 12’
Dengue (2012) – for 7 players and electronics, 12'
for the Modern Hue Ensemble
Ennui, Part I, “Everyday is Sunday” – fixed media, 10’
Enso (2011) - trumpet and fixed media, 9’
To purchase scores and performance materials, visit Babel Scores
Also see my SoundCloud page
Chamber
Municipal Shuffle (2022) for solo clarinet, flute, oboe, contraforte bassoon, piano, harp, violin, cello 16'
for Richard Haynes (clarinet) and Ensemble Proton Bern
Masha (the mouse) (2022) for soprano saxophone and oboe 8'
for Luis Homedes Lopez and Vicente Moronta
Sprout (2021) for solo guzheng, dizi, sheng, percussion, pipa, piano, violin, cello 15'
for C-Camerata Taipei
Five Fantasies (2019) for baritone voice, trumpet, trombone, and bass clarinet, 15'
for Loadbang
Churn (2019) for bass flute, lupophone, contraforte and harp, 4'
for Ensemble Proton Bern
Ritorno di Lontano (2019) for soprano, baritone and septet, 11'
for the Divertimento Ensemble
Shrink (2018) for string quartet and electronics, 11'
for Quatuor Tana
Rut (2018) for piccolo, lupophone, bass clarinet, contraforte, piano, percussion, violin, cello, 5'
for Ensemble Proton Bern
Lug (2017) for flute, saxophone, percussion, piano, violin, viola and cello, 14'
for Vertixe Sonora for performance at the Galician Centre of Contemporary Art
To form a more perfect human (2017) for concealed trumpet and percussion, violin, cello, double bass, piano and clarinet, 16'
for David Milnes and the Eco Ensemble and Kornel Thomas and the Nebula Ensemble
L'attente du visage II, second version (2016) for flute, oboe, clarinet, accordion, violin and violoncello 8'
for Ensemble Divertimento, premiere at the International Workshop for Young Composers
L'attente du visage (2016) for tenor saxophone, accordion and violoncello 4'
for Ensemble Regards, premiere at Festival Mixtur
Des baleines vues de l'intérieur et de l'extérieur (2015) for woodwind quintet 12'
for Ensemble Pentaèdre, commissioned by Code d'Accès
Hommage à Nick Weolam (2015) for percussion quartet 14'
for the Architek Percussion Quartet and their 2015 Code d'Accès concert
Marquee (2015) for flute, clarinet, violin, cello, piano and percussion 4'
for the 2015 Sound of Silent Film Festival - composed to accompany Brian Zahm's film, "Marquee"
Des rêves en quinconce (2014) for 2 alto saxophones, piano, 4'
for 2014 Labo de Musique Contemporaine de Montréal
À force de crier au loup... (2014) for flute, clarinet, violin, cello, piano, and percussion 8'
for workshop and recording with Ensemble Transmission (Montreal)
Tafkid Kaful (2014) for flute, clarinet, violin, cello, and piano 6'
for Contemporary Encounters 2 Festival with Ensemble Meitar (Israel)
Tsmarmoret (2013) for bass clarinet, violin, viola, cello, piano and percussion, 13'
for 2013 MASC Concert, Parenthèse(s) - McGill University
Dengue (2012) for 7 players and electronics, 12'
for the Modern Hue Ensemble
Ennui (2012) for piano quintet, fixed media and video, 25'
Funded by the University of Denver Undergraduate Research Center
Five Miniatures for String Quartet (2012), 6'
for performance at the California Summer Music Festival - Sonoma, CA
Einheit (2012) for two accordions, 14'
(for the Mythos Duo in Copenhagen - Bjarke Mogensen and Rasmus Skjøller)
Litz Wire (2012) for trumpet and percussion, 8'
Lisztian Clouds (2011) for piano trio, 10’
Large Ensemble
Unseen Beneath the Ice (2018) for 15 musicians 8:30
for Alan Pierson and Alarm Will Sound
Winter Walks That Gravel My Voice (2016) for viola and 14 musicians 15'
for Julie Michael, Guillaume Bourgogne and the McGill Contemporary Music Ensemble
Doors That Lead to Doors (2015) for wind ensemble 14'
Commissioned by the McGill Wind Symphony
Irpul (2012) for orchestra, 13'
Performed by the Lamont Symphony Orchestra - May 1, 2012
Solo/Solo with Piano
Dysprosody (2012) for solo piano, 8’
commissioned by Wes Leffingwell
A Danish Elegy (2011) for tuba and piano, 6’
commissioned by Jon Speek
Just in Time (2011) for solo marimba, 8’
commissioned by Justin Doute
4 Singularities for Trumpet (2010), 5’
Involving Electronics
Please Find Attached (2021) video, 7'
for the New York New Music Ensemble, as part of the Socially Distant Micro Commissions
Her Majesty the Fool (2020) for XAMP microtonal accordion and electronics, 11'
for Fanny Vicens and Festival Manifeste IRCAM
Shrink (2018) for string quartet and electronics, 11'
for Quatuor Tana
Behind the Forget-me-nots (2016) - prepared trombone and electronics
for Chris Paul
Fighting (2015) - clarinet and electronics, 10'
for Celeste Case-Ruchala
Klaustrophobie (2013) – accordion and fixed media, 10’
for Rasmus Schjærff Kjøller
Eclipse (2013) – trumpet and fixed media, 12’
Dengue (2012) – for 7 players and electronics, 12'
for the Modern Hue Ensemble
Ennui, Part I, “Everyday is Sunday” – fixed media, 10’
Enso (2011) - trumpet and fixed media, 9’